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10 Words Derived From Dickens Characters

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This weekend marks the 204th anniversary of the birth of the great English novelist Charles Dickens, who was born in Portsmouth on 7 February 1812.

The Oxford English Dictionary credits Dickens with the earliest record of a total of 226 English words, including such invaluable additions to your vocabulary like saucepanful, abuzz, boredom and cheesiness. That might sound like a lot, but compared to some other literary giants—like Sir Walter Scott (449 words), Ben Jonson (529), John Milton (563), Samuel Taylor Coleridge (613), William Shakespeare (1,504) and, top of the list, Geoffrey Chaucer (1,974)—Dickens is found trailing by quite some margin, sandwiched somewhere between the British Medical Journal (210) and the Daily Telegraph (230)*.

Dickens it seems might not have intentionally invented quite so many words as his fellow luminaries, but in retrospect he didn’t have to—the popularity and familiarity of his wonderfully well-drawn characters have given the English language more than its fair share of words, colourfully describing everyone from sermonizing hypocrites to amateurish, incompetent nurses. So, to mark what would be the great man’s 204th birthday, this week on YouTube, as part of @HaggardHawks’s ongoing #500Words series, here are 10 Words Derived From Dickens Characters.






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* Take these figures with a pinch of salt, of course—after all, having the earliest credit in the dictionary does not necessarily mean that an author invented a word; they may just have been the first or most notable figure to use it in print. Nevertheless, statistics like these do provide a general idea of an author’s neologizing inventiveness—just don’t take them at face value...

16,000 followers!

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A massive thank you, everyone—the @HaggardHawks Twitter feed very quietly (and very unexpectedly) added its 16,000th follower over the weekend! Seems our new YouTube channel is attracting some extra attention… But another milestone can only mean one thing—it’s time for a whole new HaggardHawks quiz.

Same rules as always: no time limit, just 20 fiendish multiple choice language questions, the answers to which have all been tweeted out over on @HaggardHawks in the last few months. So how well have you been paying attention? Let’s find out…






Uranus

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Before we begin, let’s get a few things out of the way. The noxious atmosphere around Uranus could kill a man. Uranus has a circumference of 100,000 miles. Scientists are looking at a black hole near Uranus. What are those two circular objects either side of Uranus? Ass-teroids, of course. If you got through that without laughing, then we’re good to go.

So. The other day, one of those stop-you-in-your-tracks facts cropped up on the @HaggardHawks Twitter feed:


But this really is too bizarre a fact to leave unexplained:


…so your wish is my command.

The discovery of Uranus (stop sniggering, you at the back) is credited to the German-born English astronomer William Herschel in 1781. Although it had been observed by scientists and astronomers for centuries, Uranus had always been mistaken for a star, and right up to Herschel’s discovery it was still being classed as 34 Tauri, a minor star in the constellation Taurus. Even Herschel himself initially believed he had spotted a comet rather than a planet, after noting that an object he had been looking at from his observatory in Bath had changed position in the sky over a series of nights.

Herschel announced his discovery in March 1781. As word of his new “comet” spread, astronomers all across Europe began to take note and observe it themselves. Soon, enough data had been compiled to plot its apparent trajectory—which, to everyone’s surprise, appeared to be an almost perfect circular orbit around the Sun. Herschel’s discovery was no comet.

Full colour photo of Uranus. Stop laughing.

By 1783, it had become universally acknowledged that Herschel’s discovery must surely be a planet—moreover, it was the first planet ever discovered by telescope, and the first new planet added to our Solar System in modern history. It was a truly monumental discovery, and one that earned Herschel an annual salary of £200 (equivalent to £27,000/$40,000 today) from King George III (on the condition that he move his observatory from Bath to Windsor, to be closer to the royal household), as well as the never-to-be-repeated title of Court Astronomer to The King.

But with the existence of a new planet confirmed, a pressing question soon emerged: what on Earth should it be called?

The Astronomer Royal, Nevil Maskelyne, wrote to Herschel asking him “to do the astronomical world the favour” and “give a name to your planet,” which, he continued, “is entirely your own, [and] which we are so much obliged to you for the discovery of.” In honour of his new financial patron, Herschel plumped for the only name he saw fit: Georgium Sidus, or “George’s Star.” He wrote to the Royal Society:

In the fabulous ages of ancient times the appellations of Mercury, Venus, Mars, Jupiter and Saturn were given to the Planets, as being the names of their principal heroes and divinities… The first consideration of any particular event, or remarkable incident, seems to be its chronology: if in any future age it should be asked, when this last-found Planet was discovered? It would be a very satisfactory answer to say, “In the reign of King George the Third”.

The seventh planet from the Sun, ultimately, was to be called George. But the response to Herschel’s suggestion was far from encouraging.

Outside of Europe, astronomers were wary of using a such an explicitly “British” name, especially given that it had taken an international collaboration to prove its status as a planet. Consequently, despite Maskelyne specifying that Herschel’s discovery and his choice of name were “entirely his own”, George failed to gain any widespread use or permanency. The name Georgium Sidus effectively became a placeholder, and over the years that followed astronomers across Europe began utilising and pitching their own choices and suggestions.

One popular choice was simply Herschel, a name honouring its discoverer. The Swedish astronomer Erik Prosperin ironically opted for Neptune (now the name of the eighth planet, discovered in 1846). But eventually a clear choice emerged—namely the German astronomer Johann Elert Bode’s suggestion, Uranus.

Bode had been one of the European astronomers who had calculated Uranus’ orbit, lending weight to the idea that Herschel’s discovery was a planet not a star. He suggested the name Uranus as it not only maintained the classical and mythological theme set out by the other six planets, but fittingly Uranus was the Greek god of the sky. Moreover, just as Saturn had been the father of Jupiter, Uranus was the father of Saturn, thereby creating a mythological family tree in the heavens.

Bose’s choice quickly gained momentum, and was reinforced by the German chemist Martin Klaproth in 1789, who named his famous discovery—the chemical element uranium—in support of Bose’s suggestion.

Out of deference to Herschel, however, it took another 60 years for the name Uranus to be universally acknowledged by the scientific community, when, in 1850, the official astronomical almanac published by the Royal Greenwich Observatory in London finally abandoned Herschel’s Georgium Sidus and in favour of Uranus.




10 Words For Valentine’s Day

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This Sunday is Valentine’s Day, so this week romance is in the air onHaggardHawks on YouTube as we look at 10 words to do with love. 

From obscure words for love letters, acts of courtship, courtly kisses, the first flush of feelings in a new relationship, and—well, a sexual attraction to statues, needless to say this week’s video should prove the perfect addition to your Valentine’s vocabulary…





Oh, and a quick advance warning—there’s two videos on the way next week, including something a little bit special... Stay tuned to Twitter, YouTube and the blog for more details on their way!




The McGurk Effect

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This week on the @HaggardHawks YouTube channel, we’ve something a little different for you. Instead of another of the Top 10 videos that we’ve been posting so far (normal service will be resumed on those on Thursday, incidentally) today we’ve a new video looking at one of the most bizarre linguistic phenomena discovered in recent decades. So, goggles and lab coats at the ready, people, we’re getting experimental…




The McGurk Effect was discovered in 1976 by the British psychologist and linguist Harry McGurk. An expert in child language acquisition, McGurk reportedly discovered his “effect” entirely by accident when, during preparation of a separate language experiment, he happened to replay the audio of a phoneme (language sound) being produced over video of a different sound being produced. And the result was—well, something very unusual indeed... 

(FYI, if you haven’t watched the video yet, now would be a good time to do so. Otherwise, SPOILER ALERT.)

As explained in the video, as much as we might think of speech perception as being a purely auditory, sound-based process, the McGurk Effect neatly proves that there’s in fact just as much (if not more) visual information being analysed—it’s just that it happens so swiftly and automatically, that we’re unaware of it happening. 

But if the information being provided by our eyes and our ears don’t match, then our brain doesn’t quite know what to do. So watching a video of someone saying far while hearing audio of them saying bar leads to some considerable confusion.

When this occurs, in some cases the brain ignores the auditory information entirely, and instead trusts the information being provided by the eyes without question. If that’s you, then watching the tape in the YouTube video you’ll be convinced that the fourth word was far

But in other cases, the brain mixes the two conflicting streams of information together, thereby convincing itself that what it’s seeing and hearing is, in fact, neither of the things that it’s actually seeing or hearing. If that’s you then, like our guinea pig Anthony in the video, you probably thought the fourth worth on the tape was var rather than far; likewise in McGurk’s original experiment, he found that playing the sound ba-ba over a tap of someone saying ga-ga led him to interpret it as da-da.

So what does all this prove? Well, the McGurk Effect demonstrates just how much visual information is used while our brains are processing speech, and how quickly our brains are to ignore auditory information—what we might think of as the cornerstone of speech perception—in favour of visual information. This has all kinds of implications on how we acquire language in the first place, what kind of sensory hierarchy must be going on in our brains, and what our brains must do when this process is disrupted by, for instance, blindness, deafness, or trauma to the language-processing part of the brain. 

And the more we understand about that, the better we’ll become at fixing it when it goes wrong.




10 Words For Things You Didn’t Know There Were Words For

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If there’s one thing @HaggardHawks deals in more than anything else, it’s words that you never knew existed—and in this week’s #500Words video, we have 10 examples of precisely that.

From the spike in the middle of a sundial to the white tip at the end of a fox’s tail, from the handle of a ladle to the handle of a spade, and from the V-shaped indentation in the middle of your top lip to the L-shape formed by your hand when you extend your thumb, this week’s list of 10 Words For Things You Didn’t Know There Were Words For includes some utterly indispensable/entirely useless (delete as appropriate) additions to your vocabulary. 





Cloud

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So, this peculiar little fact cropped up over on @HaggardHawks the other day:


We’ve tweeted about clouds before:


…which sparked quite a debate over on Twitter back in December, and similarly this time around, a few cloud-related comments were soon obnubilating our Twitter feed:


Granted, there aren’t all that many overlaps between etymology and meteorology, but the fact remains that cloudderives, oddly enough, from an Old English word, clúd, that once meant “rock”, “hill”, or “mass of stone”.

Because of that—as those astute followers worked out—cloud has some fairly unexpected etymological cousins in modern English, including clod (a lump of mud or earth) and clot (a congealed mass), as well as a handful of more obscure words like clout(an old word for a small piece of leather or iron, sheared from something larger), cleat (a wedge or bolt), and clew(a 1000-year-old word for a spherical globule or conglomeration of something smaller, like a snowball or a ball of string).

Shameless Plug #3,514: there’s more on that in the HaggardHawks fact book, Word Drops.



But how does a word for a mass of rock come to be used as a word for a mass of water vapour? Well, it’s presumed that Old English speakers were quick to notice that thick, heavy, dark-grey rainclouds (the type anyone living in England knows an awful lot about) looked, well, a lot like thick, heavy, dark-grey masses of stone. Consequently the Old English word clúd gained a second meteorological meaning, and by the early fourteenth century this meaning had all but replaced the older one entirely; from the Middle English period onwards, clúd (or clod as it was spelled by then) was being used almost exclusively used to refer to clouds. And it’s this meaning that has remained in use ever since.

It might seem like a odd connection, but it’s by no means alone. When the word cumulus first appeared in English in the mid-1600s, for instance, it originally referred to a mound or pile of something, or, according to the OED, to “the conical top of a heaped measure”, like a piled spoonful of flour. Etymologically, cumulus is derived from a Latin word for “heap”, and it’s a relative of words like accumulation and cumulate.

Only one question remains, then: if clúd meant “rock”, what on earth was the Old English word for cloud?

The answer to that is weolcen, which is the origin of the somewhat old-fashioned English word welkin. Sadly, welkin has all but disappeared from the language today outside of literary circles and a handful of local English dialects, but it remained in use right up to the nineteenth century—you’ll find it in the works of William Wordsworth, Charles Kingsley, Henry Wadsworth Longfellow, Sir Walter Scott, and Charlotte Brontë, among many others.

Like clúd, however, welkin also steadily changed its meaning over time. Although it originally meant “cloud”, its use broadened and grew ever more figurative, so that by the time Wordsworth and Brontë and everyone else were using it in the nineteenth century, it was taken to mean “the heavens”, “the firmament”, “the upper atmosphere”, or “the entirety of the sky”. Likewise, to make the welkin ring,or to rend the welkin, is an old English expression describing an impossibly loud noise or cheer. Like a rock concert. Or should that be a cloud concert? (No. It shouldn’t.)



10 Word Origin Stories That Are Completely Untrue

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Often when the origin of a word isn’t known—and, just as often, even when it is—an entirely fictitious story emerges that purports to explain where the word in question came from. Typically, these stories provide neater, funnier, cleverer or more straightforward accounts than any real-life word etymology ever could, and so remain enduring popular—despite, however, being completely untrue… 

This week on the HaggardHawks YouTube channel, out #500Words project is turning its attention to debunking 10 of these word origin myths, from backronyms like posh, cabal and golf to a bird supposedly named for his nesting sites (that in fact takes its name from the colour of its behind) and a bird that Napoleon thought was only good for horse food (that in fact takes its name from a flatulent goblin). You have been warned—here are 10 Word Origins Stories That Are Completely Untrue








10 Words From Victorian Slang

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If you’ve been following the new @HaggardHawks YouTube channel so far this year, you might remember that a few weeks ago we posted a list of 10 Words Derived From Dickens Characters, just in time for Dickens’ 204th birthday on February 7. And following on from that, this week as part of our #500Words series we’re heading back to the nineteenth century with 10 Words From Victorian Slang.

Nineteenth century slang crops up fairly regularly on the @HaggardHawks Twitter feed (indeed a few choice examples ended up being among the most popular tweets of 2015), but we’ve picked ten of the best and most interesting examples for this week’s video—from blue fire, the perfect theatrical term for something amazing or spectacular, to collieshangie,a word for a noisy argument that’s so Victorian it was even used by Queen Victoria.

Although we’re labelling it a Victorian slang term here (as that’s when it first gained any wider currency, and is often listed as such in slang dictionaries), the word collieshangie itself actually has its origins in eighteenth-century Scotland: it probably began life as culleshnagee or cullyshang, an old Scots dialect word presumed to be a compound of collie (a sheepdog) and shangie, a word used for both a noisy quarrel, and a restraint attached to a dog’s tail to make it behave. Either way, collieshangie can fairly confidently be said to derive from one very angry dog. 






Histriomastix

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Late on Monday night (or early on Tuesday morning, depending on where you’re reading this…) a brilliant word quietly crept onto the @HaggardHawks Twitter feed:


…and I thought you might like to know a bit more about it.

A histriomastix is indeed a theatre critic (or a “severe critic of playwrights” as this dictionary defines it), but that’s putting it lightly: the word histriomastix literally means “scourge of actors”, and the suffix –mastix derives from an Ancient Greek word for a horsewhip. There’s a reason why this word has such abrasive connotations, however: it was invented by someone who really, really, hated actors.

His name was William Prynne, a seventeenth century English lawyer, pamphleteer, and notoriously hard-nosed Puritan. Born in Somerset in 1600 and educated at Oxford, it’s thought that Prynne was first introduced to Puritanism during his training to become a barrister at London’s Lincoln Inn in the mid-1620s; he published his first Puritanical literature the year before he was called to the Bar in 1628.

Over the next four decades, Prynne published more than 200 books and pamphlets, the majority of which outlined his stringent views on everything from Christian redemption (some people were predestined never to be redeemed by Christ’s atonement on the Cross, he believed) to the length of a person’s hair (men’s hair should be kept short, women’s should be kept long, and anything in between was “unseemly and unlawful to Christians”). 

Like all Puritans, he railed against any form of celebration or revelry, and so out went singing, dancing, music, and Christmas, which was dismissed as derivative of the Roman Bacchanalia, a fact that“should cause all pious Christians eternally to abominate [it]”. But as unpopular and uncompromising as Prynne’s opinions were, none landed him in as much trouble as when he turned his reproachful attention to one group of people in particular: actors.

Prynne saw acting and masquerading as no different from any other kind of revelry, and in 1632 published a rambling 1,000-page essay of sheer unadulterated condemnation to explain his stance. Entitled Histriomastix: The Player’s Scourge or Actor’s Tragedy, in it Prynne attacked almost every facet of the theatre, from the actors themselves (“sinful, heathenish, lewd, ungodly spectacles”, “pernicious corruptions”, “intolerable mischiefs to churches, to republics, to the manners, minds, and souls of men”) to their costumes (“a confluence of all whorish, immodest, lust-provoking attires … sufficient to excite a very hell of noisome lusts in the most mortified actors’ and spectators’ bowels”). 

Shakespeare’s trick of having men and boys dressing as women to play female characters—“representing the persons of lewd notorious strumpets”, according to Prynne—was “undoubtedly sinful, yea, utterly unlawful to Christians”. The plays themselves were written off as “deceitful fictions, which would quickly teach men to cheat, to steal, to play hypocrites and dissemblers”. And the “obscene, lascivious lust-provoking songs and poems” performed in them were labelled “abominable unto Christians” as they risked “enflaming the outrageous lusts” of the audience, who are “transported by them to a Mahometan paradise or ecstasy of uncleanness”. Well, quite.

Each to their own, of course, but in this instance there was one small problem with Prynne’s vitriol: alongside her duties as queen consort, the reigning King Charles I’s wife Henrietta Maria liked nothing better than donning something from her confluence of all whorish attires and performing in a good old deceitful fiction. Put another way, she was an actress.

Consequently, Prynne’s Histriomastix soon attracted the attention of the royal household, and his outspoken opinions on the theatre were soon being spun as a less-than-subtle slight on Queen Henrietta herself. The Archbishop of Canterbury, William Laud, and the Attorney-General, William Noy, had Prynne arrested and thrown in the Tower of London, and on 17 February 1634, he was sentenced to life imprisonment, fined an eye-watering £5,000 (equivalent to £400,000 today), stripped of his Oxford degree, and, just when things could scarcely get any worse, ordered to be pilloried and to have both of his ears cut off. The case understandably caused a sensation—and the English language earned a new word for a harsh and uncompromising theatrical critic. 

But not even that insane catalogue of punishments was enough to stop Prynne. Thrown back into the Tower, he soon continued his writing, this time turning his attention away from the theatre and towards the moderate, anti-Puritan clergy who had landed him in jail. In 1637, he found himself again in hot water after publishing an attack on the Bishop of Norwich and for a second time was handed a life sentence, fined another £5,000, pilloried and, for what it was worth, sentenced to have what little remained of his ears again cut off. This time around he was also branded on both sides of his face with the letters “SL”—according to the courts, this was to show everyone that he was “seditious libeller”, but Prynne preferred to tell people that it stood for stigmata laudus, or “the marks of praise”. 

Remarkably, Prynne’s luck suddenly changed in 1640, when the Long Parliament—convened by King Charles to fund his on-going battles against rebellion in Scotland—overturned his conviction, released him from the Tower, and reinstated all his legal qualifications (which he soon utilised as Solicitor for the Prosecution when Archbishop Laud was later arrested and tried for treason; Laud was eventually executed in 1645). He also continued his pamphleteering, but as Charles I’s monarchy collapsed and England was thrown into Civil War, his condemnatory attention soon turned to Oliver Cromwell.

Although Cromwell himself was a Puritan, Prynne took exception to his and his supporters’ interpretation of radical Puritanism, despised those championing the king’s execution, was suspicious of a republican army, and ultimately found himself supporting the Royalist cause. After Cromwell’s downfall and the Restoration of the monarchy in 1660, his stance was rewarded by Charles II with a seat in Parliament—and, ironically, the position of Keeper of the Records of the Tower of London. 

He died in 1669, his hatred of actors and his invention of the word histriomastix earning him a place in the dictionary. It’s quite a life story, though—and would make a great play. Kickstarter, anyone?







10 Words Derived From Numbers

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Monday March 14 is Pi Day. That’s because when written out as numbers “March 14” becomes “3.14”, the first few digits of pi, 3.1415926… So in honour of the most mathematical day of the year, in this week’s #500Words video over on the HaggardHawks YouTube channel we’re looking at 10 Words Derived From Numbers.

You probably know a great many more words that fall under this category than you might think, from unicycle, bicycle and tricycle (“one-”, “two-” and “three-wheels” in Latin) to quartet and quintet (from the Latin for “fifth” and “sixth”), hexagon (“six-cornered” in Greek), heptathlon (Greek for “seven-contest”), and October, November and December (from the Latin for “eighth”, “ninth”, and “tenth”, as these were originally the eighth, ninth, and tenth months of the Roman year).

Alongside a handful of words you’ll recognise, however, we’re looking at some much less familiar words (like Septentrion and khamsin), as well as a few numerical word origins that you might not have known—including a part of the body named for the fact that it is typically 12 finger-breadths long, and a time of the day that now means three hours earlier than it used to



10 Words Derived From Irish

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March 17 is St Patrick’s Day, so in honour of that this week on the HaggardHawks YouTube channel we’re looking at 10 Words Derived From Irish.

A full list of words the English language owes to Irish would range from the fairly obvious (leprechaun, banshee) to the fairly surprising (trousers, Tory, slob), with a few etymological question marks thrown in for good measure. One of these is hooligan, which we’ve looked at on the blog before, and another, which we’ve included in the video, is kibosh.

People have been bringing things to a halt by putting the kibosh on them since the early nineteenth century. Although we’ve included it here in our list of ten Irish words, the theory that it derives from an old Irish expression, caidhpín bháis, for an judge’s black “cap of death” is by no means conclusive—competing theories variously attribute the word to everything from Yiddish to Scots, while others suggest it is and always has been a purely English word.

So if not derived from Irish, why do we put the kibosh on things? Well one theory is that the ki- of kibosh is the same as in words like kersplash! and kaboom!—in other words, it’s just there to emphasise the “bosh” (i.e. the stout hit or blow) that comes after it. Or perhaps kibosh is derived from an even earlier sound-alike, like caboshed (a heraldic term for an animal shown on a coat of arms from the neck up only), kye-boots (a Scots English word for a dairy cow’s shackles), or even courbache (the French name for an Arabian rhinoceros-hide horsewhip). Or maybe it’s from the Yiddish word for “eighteen coins”, which might once have been a slang word for a throwaway amount of money? (Shameless plug: there’s a bit more on that in the HaggardHawks factbook...)

In truth, etymologists aren’t entire surely, but we’re signing up to the Irish theory here—alongside nine other fascinating Irish etymologies…







I, Part II

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Last year on the HaggardHawks blog, we looked why the lower-case letter i(and its alphabetical cousin j, for that matter) is written with a dot—or “tittle”—above it. Now, this week in Questions About The Language You Never Even Thought About, we’re posing another I-related conundrum: why do we capitalize I?

After all, none of the other English pronouns—including all the other first person pronouns, like me, mine, my and myself—are capitalized, unless you happen to be God. And nor was I’s ancestor, the Old English ic, written with an uppercase letter. Even the translated equivalent of I in other languages is more often than not left in lower case, like French je, Spanish yo, Italian io, and German ich.

Speaking of German, it of course capitalizes all its nouns—like Mann and Frau, Apfel and Orange, Kapitalbuchstaben and Kleinbuchstaben—which is something that English reserves only for its proper nouns (John Smith, Australia, Paramount Pictures, the Cabinet),  unless you have some kind of point-making rhetorical effect in mind (as in, “He doesn’t just think he’s the bee’s knees, he thinks he’s The Bee’s Knees”). 

German does however capitalize the formal form of its second-person pronoun, Sie, “you”, along with all its derivate case forms like Ihr, “your”. This is all part of a linguistic phenomenon known as the TV Distinction, which has nothing to do with how much better than terrestrial television Netflix is, but rather the way in which some languages like to show polite respect when speaking to someone you don’t know very well or hold in superiority by altering their pronouns. It’s the same reason why French speakers will politely ask you to respondez s’il vous plaît unless they know you well in which case respondez s’il tu plaît will do. (You can work out the familiar form of or voulez-vous coucher avec moi, çe soir yourselves…)

 So is this what’s happening in English? Do we think so highly of ourselves that we’ve grown accustomed to capitalizing the pronoun we use to refer to us? Some etymologists have thought so, and have theorized that there’s a latently egocentric, psychological reason behind our upper case I. But if that’s the case, why hasn’t this filtered down to the likes of me, myselfor we and ourselves? And why is it only the English who are so self-centred that we’ve capitalized ourselves while other languages have not? On second thoughts, don’t answer that.

Perhaps then there’s something more pragmatic going on: an alternative theory simply claims that because the pronoun I so frequently occurs in the first position in sentences, it’s only natural that it would eventually become capitalized. This is certainly a plausible idea, but does I really occur enough times in sentence-initial position to permanently alter its form in every other context? And why wouldn’t the same have happened to other pronouns like We or My?

Instead, the most likely explanation of how we ended up with capital I is a surprisingly practical one.

Around the time that capital-I first began to appear in English texts—in the Middle English period, roughly 700-800 years ago, so that Chaucer’s Canterbury Tales provides much of the early evidence—there was also a phonological shift taking place in the language. In many dialects of English, the Old English word for I (icor ich) had largely been reduced to a single “i” sound, making the Cs and Hs usually added to it no longer necessary. In written English, however, a single lowercase letter i (especially when written without its dot) looks a little lost on its own, and in a densely handwritten document you can imagine just how easily a solitary pintsized stroke, even with or without its dot, might be misread, overlooked, or even dismissed as a smudge or dash. As a result, early Middle English scribes began making their single letter Is a little bigger, so that they could stand a little prouder and little more robust on the line of text—and over time, that gave us the pronoun capital I.


This theory neatly accounts for why this change hasn’t affected the other personal pronouns in English, and, moreover, why the indefinite article a, another commonly used single-character word, is not capitalized as it’s lowercase form is considerably more noticeable than a single i.

17,000 Followers!

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Well, well, well. It’s only been a few weeks since HaggardHawkshit its last milestone, and here we are again. Thanks so much everyone—unbelievably, all 17,000 of you!—for following, retweeting, commenting, sharing, questioning, and of course watching, now that our new YouTube series is in full flow…

But reaching another milestone can only mean one thing: it’s time for another of our fiendish 20-question quizzes. 

Same rules as always—no time limit, just a vintaine* of questions, designed to test your language knowledge to its max. So how closely have you been paying attention to @HaggardHawks? Let’s find out shall we…





* worth remembering that one…

10 Words You Won’t Believe Exist

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If there’s one question that comes up more often than any other over on the HaggardHawks Twitter feed, it’s whether or not the words we tweet are genuine. The short answer is yes. They might be old, they might be local, they might be archaic, they might long have fallen out of use, but they’re all completely genuine dictionary words. Seriously, finding bizarre words is a lot more fun than making them up.

That can be a difficult truth to swallow, of course, especially given the existence of words like this one: 


But it’s no less true. So in this week’s 500 Words video, we’re proving that when the English language gets strange it gets really strange with this list we’re calling 10 Words You Won’t Believe Exist

And they’re all completely genuine...



The Feynman Point

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If you sawour video of words derived from numbersearlier this month, you’ll know that March 14 was Pi Day (or rather, the once-in-a-centuryRounded-Up Pi Day), because when it’s written out numerically the date3.14.16”forms the first few digits ofpi.

Besides our mathematically-themed video, however, over ontheHaggardHawksTwitter feedwe marked Pi Day with this fairly remarkable fact:



Now. We’re not mathematicians here atHaggardHawks, and frankly the very idea of discussing the irrationality of an approximation of the mathematical constant representing the ratio of the circumference of a circle to its diametzzzzzzzzzzzzzzz…

Only joking, mathematicians, we love you really. But even dusty, bookish old wordsmiths like us can find some interest in mathematics every so often, and the Feynman Point is one of those times. So we thought you might like to know a little bit more about the point behind The Point.

The “Feynman” of the Feynman Point is the American theoretical physicist Richard Feynman. In a lifetime of achievement and accomplishment, Feynman did everything from helping develop the atomic bomb to assisting inthe commissionthat investigated the Challenger disaster in 1986. He was also jointly awarded the 1965 Nobel Prize for Physics for his “fundamental work in quantum electrodynamics”, including his groundbreaking work on quantum path integral formulation challenging the existing notion of a unique quantum trajectory by replacing it with a functional integralzzzzzzzzzz…

Only joking, physicists, we love you as well. But long story short, Richard Feynman was a brilliant scientist—and he was also very interested in π.

According to the story, during a lecture at the California Institute of Technology, Feynman joked to his students that he would one day like to memorizepiup to the point, 762 decimal places in, that there are six consecutive nines. Why? Well, he wanted reach that particularrepdigitand then state “...999999, and so on”, implying that the famously irrational π suddenly, 762 places in, becomes nothing more than an infinite chain of 9s.

Regrettably there’s little evidencethat Feynman ever actually made that joke (and in fact the earliest account of it credits it to fellow scientist Douglas Hofstader), but it’s Feynman’s name that has ended up being attached to these six consecutive 9s, and its his name that has remained in place ever since.

Incidentally, another six consecutive 9s crop up in the 193,034th–193,039th decimal places of pi. Anyone fancy memorizing up to there? You could get your name in the dictionary if you do...
  





Cacafuego

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There’s really no nice way of putting this, but the fact is that poop crops up more often than it duly should on this blog. And thanks to a tweet from the HH feed the other day, we’re going back down that way again now:


There’s no denying that cacafuego is a brilliant (and unavoidably usefulword, but is it genuine? Or, to put it another way:


Wow, imagine if that were true. A twist to put M Night Shyamalan to shame. But let’s not get bogged down in piss halfway through a blog about shit, shall we?

So. No prizes for guessing that cacafuego was borrowed into English from Spanish, and combines the verb cacar (modern Spanish cagar, “to void excrement”) with fuego, “fire”. It first appeared in English as another word for a blustering braggart in the early 1600s, but we can be fairly sure that it was in use before then thanks to the somewhat unlikely-sounding involvement of Sir Francis Drake.




In 1578, part-way through his circumnavigation of the Earth, Drake rounded Cape Horn and entered the Pacific Ocean, hot on the heels of a 120-tonne Spanish galleon called the Nuestra Señora. The Nuestra Señora, Drake had heard, was laden with a rich cargo of silver and jewels from the Spanish colonies—and he wanted it.

Sailing up the Pacific coast of South America, Drake’s Golden Hind caught up with the Nuestra Señora off the coast of Ecuador. Knowing that an attack made under the cover of darkness was his best bet, he slowed his progress by tying some of his ship’s wine store to the stern and throwing it overboard, so that by the time the Hind reached the Nuestra Señora it was the middle of the night. The Spanish crew were completely taken by surprise, and after a brief skirmish they surrendered, allowing Drake and his men to take control of the ship.


Drake sailed both the Nuestra Señora and the Golden Hind back to the South American coast to unload her treasure. Knowing just how substantial a prize he had secured for England, he treated the crew of the Nuestra Señora well, inviting her officers to join him for a grand banquet and giving each crewmember a parting gift and a signed letter of safe conduct, ensuring as easy a journey home to Europe as possible. Drake himself continued on his journey, and having completed his circumnavigation arrived back in Plymouth on 26 November 1580.

So where does all the flaming poop come into all this? Well, Drake’s captured galleon might have been officially known as the Nuestra Señora de la Concepción, “Our Lady of the Immaculate Conception”, but to her crew she was the Cacafuego, or “fire-shitter”. That might seem like an odd (and fairly uncomplimentary) nickname for—well, anything really, but just like the Spitfirecenturies after her, the name was likely intended to be a reference to her impressive weaponry and blazing cannon fire, or else to her speed through the water and her “fiery” temperament. 

And just as spitfire was once a nickname for an irascible, hot-tempered person, in the seventeenth century the word cacafuego became a byword for a blustering, swaggering braggart—a meaning at least some way influenced by the fact that, despite her impressive armoury and defensive capabilities, the Cacafuego had proved no match for Drake.  



10 Words For Fools And Nincompoops

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No jokes, April 1 is April Fools’ Day. So in honour of that, this week on the HaggardHawks YouTube channel we’re looking at 10 Words For Fools And Nincompoops

As explained in the video, the word nincompoop is something of an etymological mystery. Samuel Johnson suggested that it came from the Latin phrasenon compos mentis, used to describe someone of less than sound mind, but a lack of early spellings following this template casts doubt on his theory. 

Alternatively, on its own the word poop (which crops up more often than it really should on this blog…) can be used as a verb meaning “to cheat” or “deceive”, but the nincom– part is a lot more challenging. Some accounts claim that it’s a twist on noddy or noddypoll, both even earlier words for fools or dunderheads, while others claim it comes from Nicodemite—a French-origin word for a follower of Nicodemus, but which became a byword for anyone who hides their faith to avoid persecution or ridicule. 

Whatever the truth might be, the word nincompoop continues to fool etymologist. But this and nine more words to boost your April Fools’ Day vocabulary are listed here—from a word derived from a gullibly catchable freshwater fish to a general word for a fool that began life as a psychiatric category based on a person’s IQ…





← Last Week: 10 Words You Won’t Believe Exist
→ Next Week: 10 Words You Didn’t Know Have Opposites



10 Words You Didn’t Know Had Opposites

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If you’ve been keeping up with our 500 Words series over on the HaggardHawks YouTube channel, you’ll know that recently we’ve been expanding your vocabulary with lists of words for fools and nincompoops, words you won’t believe exist, and words from Victorian slang. And this week, we’re adding even more words to your wordhoard with a list of 10 Words You Didn’t Know Had Opposites.

Words like these crop up every now and then over on HaggardHawks, with recent examples including tautegory, which is the opposite of an allegory, and dysangelical, the opposite of the much more familiar evangelical. But what about the opposite of the placebo effect? Or the opposite of postponing something? And what exactly are jamais-vu, dysphoria and eustress? The answers are all here...




One term that didn’t make the final cut in the video, however, is one of our personal favourite opposites-you’ve-never-heard-of:



Stockholm syndrome is of course the name of a curious psychological phenomenon in which a hostage or group of hostages gain sympathy for their captors. It takes its name from a bank robbery that took place in Norrmalmstorg Square in central Stockholm in 1973, which led to a five-day siege between police and back robber Janne Olsson who had taken four people hostage in the bank. Happily the siege ended without any of the hostages being seriously injured.


The opposite of Stockholm syndrome is Lima syndrome, which as the tweet above explains refers to a situation in which the captors develop sympathy for their hostages. And just like Stockholm syndrome, it too derives from an actual hostage-taking: in 1996, fourteen members of a Peruvian militia group called Túpac Amaru stormed the Japanese embassy in Lima and held more than 600 guests attending a party in honour of the Japanese ambassador captive. Within a matter of hours, however, more than half of the hostages were released, and over the days and weeks that followed another 300 were steadily set free as the captors began to empathize with their hostages. The siege was eventually brought to a close when Peruvian special forces stormed the building, 126 days after it had begun. 


Feague

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If you’ve been keeping up with our new YouTube series, you might remember possibly the strangest word we’ve ever come across from our Words You Won’t Believe Exist video: the eighteenth century verb feague.




Feague, for those of you who don’t already know (or practise it), means “to put a piece of ginger up a horse’s anus,” with the somewhat predictable outcome of making him appear more lively. If you think that sounds impossibly cruel, then fear not—according to the 1811 edition of Francis Grose’s aptly titled Dictionary of the Vulgar Tongue, it was just as common to replace the ginger with a live eel. A much more sensible idea, I’m sure you’ll agree.

So why on earth—seriously, why? FOR THE LOVE OF GOD WHY?—would anyone want to spend even one microfortnight of their day forcing a piece of ginger up a horse’s arse? 



“You’re going to do WHAT?”

Well, as explained (though, alas, not demonstrated) in our video, if you were selling the horse, then it’s only natural that you would want it to look as frisky and as energetic as possible, to ensure that you got the best price for it. And if there’s one thing guaranteed to make a horse frisky, it’s shoving the spicy root of a herbaceous perennial up its ass. That makes feaguing essentially the 250-year-old equivalent of those tricks estate agents use when prospective buyers stop by. You know how it goes—a bouquet of freshly picked flowers on the table. A fresh pot of coffee brewing in the kitchen. A horse desperately trying to evacuate a live eel from its poop chute in the garden. 

Another fairly cruel means of improving the asking price of your horse incidentally was bishoping, which involved filing down its teeth. Because horse’s teeth continue to grow throughout their lives, shaving them down meant that even a worn out old carthorse could pass as a young colt, and in that sense bishoping was essentially the eighteenth-century equine equivalent of botox. Or six pints of Guinness.



But while bishoping was straightforwardly enough named after a crooked horse salesman named Mr Bishop, feaguing is more of an etymological mystery. 

One theory is that it comes from fake, which besides its more familiar meaning was used in nineteenth century slang to mean “to tamper with something in order to deceive.” That sounds exactly like our horse-enlivening ginger insertion, but the dates don’t match up—in fact, the OED suggests faking in this sense might derive from feaguing, not the other way around.

Another theory is that feague comes from an even earlier sixteenth century word, feak or fyke, meaning “to twitch” or “to be restless.” Twitching and restlessness certainly sounds along the lines of feaguing, but this theory stumbles because by the time feague first began to appear in the language, feak had morphed into a more figurative word, meaning “to be officiously busy,” or “to appear busy, yet accomplish little.” Hey, we’ve all been there.

But then there’s this:

’Slife, this She Devil will ruin me! Alas, madam, she’s merry, she drolls; but come, let’s dance and put these things out of our heads. Come in, Minnim and Crotchet, and fegue your violins away, fa, la, la, la!

That’s a line from The Humorist, a play written in 1671 by the English playwright Thomas Shadwell. Here, “Minnim and Crotchet” are the names of musicians, and when they’re called upon to “fegue their violins,” they’re not being told to put a piece of ginger inside them (nor, for that matter, to put their violins somewhere it’s anatomically unadvisable) but to start playing them, quickly and energetically. 

To feague away was a seventeenth century phrase basically meaning “to set in quick motion,” “to agitate,” or “to work flat out.” It’s thought that it derives from an even earlier sixteenth century word, feg or feagle, meaning “to beat” or “thrash,” which in turn probably comes from an even older German word, fegen, meaning “to clean” or “sweep”, or to busy yourself with housework. 

Feaguing away then seems to be the missing link: it’s easy to see how a word meaning “to busy yourself with housework” could give birth to a phrase meaning “to work quickly,” or “to agitate,” and ultimately “to enliven” or “to make energetic.” The ginger-inserting part, it seems, was just a bit of added spice.




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